Untimely Christianity by Michael Edwards

Untimely Christianity by Michael Edwards

Author:Michael Edwards [Edwards, Michael]
Language: eng
Format: epub
Tags: REL067000 Religion / Christian Theology / General, REL006080 Religion / Biblical Criticism & Interpretation / General, POE003000 Poetry / Subjects & Themes / Inspirational & Religious
Publisher: Fortress Press


3.

If Christ incarnate knew, in our place and on our Earth, life, death, and resurrection, all Christians are invited to follow him in each one of these stages and to testify of this in the culture where they find themselves. Saint Paul goes so far as to write, “I live; yet not I, but Christ liveth in me” (Galatians 2:20). These words, which suggest a radically other point of view on anthropology, no doubt surpass our intelligence by evoking an experience far above ours. At least we thus know what perfection to aim at. Paul writes this as well, on the subject of Christ as the supreme goal of our life: “That I may know him, and the power of his resurrection, and the fellowship of his sufferings, being made conformable unto his death, if by any means I might attain unto the resurrection of the dead” (Philippians 3:10–11). Life, death-and-suffering, resurrection-and-power: the Christian is led to know at the deepest level happiness, sorrow, and hope—what could be more vital than the life of Christ, what more grievous than his death, more elating than his resurrection?—and can then demonstrate the manner in which this ternary vision is propagated in the culture and gives it form.

For in the most materialistic, the most secularized culture, the dynamic of dissatisfaction is at work. All the forms of art, far from constituting a simple entertainment, a pleasant supplement to the individual’s and society’s serious efforts, are found at the heart of our reflections on the human condition. If one distances oneself from mockery, from exhibitionism, from enchantment with success or the market—from all the temptations that naturally threaten enterprises that are, at their level, salutary—those forms give themselves to the search for a reality, a manner of being, beyond the polarity of happiness and sorrow. Dance transcends, during the performance, the vitality and mortality of the body and offers a glimpse of a free, creative, airborne body that recalls the Christian promise of a “glorious” and “spiritual” body. Music, which exists both in the ear and nowhere, transfigures the human voice, transforms the noises of the world into sounds, and gives to time—the medium of all our happinesses, which, however, leads us toward death—a new form, a tempo that makes of it a kind of temporary paradise. Painting, if it is somewhat figurative, renews our way of seeing, as well as a body, a tree, or several objects on a console that, in the elsewhere of the painting, constitute a presence perfectly and otherwise colored, drawn, given volume, and seen in a light of another order. By dint of saying what it observes, poetry also transforms it by welcoming it in sounds and rhythms, by articulating it anew in a syntax. The more faithful it remains, the more it changes it, so to speak, into itself, by imaginative figures and by an equally renewed language.

All the arts, including sculpture, architecture, photography, and cinema, project glimpses of a new humanity upon a new earth and under new skies.



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